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George Meredith, and Mr. Henry James, who are considered to know a great deal more about women than women know about themselves, and to be able to give the sex some valuable points for its own enlightenment. Just as Luini and Leonardo da Vinci are believed to have grasped the subtleties hidden deep in the female heart, and to have betrayed them upon their imperishable canvases in a lurking smile or a gleam from half-shut eyes, so Mr. Meredith and Mr. James are believed to have betrayed these feminine secrets in the ruthless pages of their novels. Mr. Boyesen, for example, did not hesitate to say that no woman could have drawn a character like Diana of the Crossways, and endowed her with "that nameless charm," because "the sentiment that feels and perceives it is wholly masculine." Why should not this rule work both ways, and a nameless charm be given to some complex and veracious hero, because the sentiment that feels and perceives it is wholly feminine? Mrs. Humphry Ward strove for just such a triumph in her portrait of Edward Manisty, but she strove in vain. Yet if the