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COMPROMISES

these revelations. It was as though the speakers had first marshalled in order the most enduring masterpieces of literature, and had then fitted their own sentiments and experiences into appropriate grooves. This reversal of a natural law is much in favour when what are called epoch-making books come under public discussion. There are enthusiasts who appear to think that Rousseau evoked the French Revolution, and that "Uncle Tom's Cabin" was responsible for the Civil War. When the impetus of a profound and powerful emotion, the mighty will of a great event finds expression in literature,—or at least in letters,—the writer's mind speeds like a greyhound along the track of public sentiment. It does not create the sentiment, it does not appreciably intensify it; but it enables people to perceive more clearly the nature of the course to which they stand committed. These sympathetic triumphs are sometimes mistaken for literary triumphs. They are often thought to lead the chase they follow.

If, on the other hand, we ask ourselves soberly what books have helped to mould our