Page:Cyclopedia of Painters and Paintings, 1887, vol 3.djvu/150

LUGO Orleans in the Trenches at Siege of Antwerp, 1832, Warham, Archbishop of Canterbury (after Holbein), Versailles Museum. - Tscharner, Die bildeu den Kiinste in der Schweiz ini Jahre (1884), 55. LUGO, EMIL, born at Stockach, Baden, June 20, 1840. Landscape painter, pupil of Carlsruhe Art-School under Schirmer, then studied after the old Italian, Dutch, and German masters in the Dresden and Munich Galleries, and from nature in the Brisgow ; was in Italy 1871-74, chiefly at Rome, inti- mate and much influenced by Franz-Dreber. Works : Waterfall in Bavarian Alps ; Land- scape with Mythological Figures ; Storm in Autumn ; Solitude ; Morning in Black For- est, Late Autumn, ib. (1884), National Gal- lery, Berlin. Jordan (1885), ii. 140. LUIGI, ANDREA. See Inyeyno. LUINI, AURELIO. See Luini, Bernar- dino. LUINI (Lovino), BERNARDINO (Ber- nardo), born at Luino between 1475 and 1480, died in Milan, af- ter 1533. Lom- bard-Milanese school ; called by Vasari, del Lupi- no. Pupil of Ci- verchio and of Leonardo da Vin- ci, whose manner he imitated so closely that many of his pict- ures pass for the work of his master. His faces wear the Leonardesque smile, though it has not the same depth of meaning, and his manner of painting is similar to that of Leonardo, though it does not reach that al- most superhuman degree of finish which distinguishes the Gioconda among pictures. A Pieta in S. M. della Passione, Milan, is an early painting by Luini, but his most im- portant works in that city are the frescos in the Monastero Maggiore, among which the Martyrdom of St. Catherine is justly cele- brated for composition and expression ; the 71 fragments of frescos in the Brera, in- cluding the famous St. Catherine borne by Angels, the Madonna with SS. Anthony and Barbara (1521), the Marriage of the Virgin, a Madonna with St. Elizabeth, the Birth of Adonis, and the Flagellation, Ambrosian Library. Other important frescos by Luini are those in the Church of the Pilgrims at Sarouno, Marriage of the Virgin, Christ among the Doctors, Adoration of the Magi, Presentation in the Temple (1525), Sibyls, Evangelists, and Fathers of the Church ; and those in S. M. degli Angeli, Lugano a colossal Passion over the entrance to the Choir, a fresco lunette of the Madonna with the Infant St. John, and a Last Supper. Among Lmni's easel pictures are : large altar-piece, Church at Leguano ; several small easel pictures, Ambrosian Library, Milan ; Madonna, Brera, Milan ; Adoration of Shepherds, Adoration of Magi, etc., Du- omo, Como ; Salome, Madonna and St. John, Uffizi, Florence ; Modesty and Vanity, Pa- lazzo Sciarra, Rome ; Virgin and Infant Jesus, Naples Museum ; Christ among the Doctors, National Gallery, London ; Salome, Hull/ Family, Sleep of Jesus, Forge of Vul- can, Adoration of Magi, Nativity, and oth- ers, Louvre, Paris ; Madonna, St. Sebastian, St. Catherine, La Culombine, Hermitage, St. Petersburg ; St. Catherine, Copenhagen Gallery ; Infants Christ and St. John Kiss- ing, Holy Family, Daughter of Herodias receiving Head of St. John, Madrid Mu- seum ; Herodias, St. Jerome Penitent, Vi- enna Museum ; Madonna, The Three Marys, Historical Society, New York. Bernardo's sons, Aurelio (1530-93) and Evangelista, are mentioned by Lomazzo in 1584 as among the best painters of their time. Pictures by Aurelio are in the Brera and in Milan churches. Vasari, ed. Mil, vi. 519 ; ed. Le Mon., vii. 43 ; viii. 217 ; xi. 276 ; Lanzi, ii. 492 ; Burckhardt, 165, 182 ; Ch. Blanc, ficole milanaise ; Dohme, 2iii. ; Kugler (Eastlake), ii. 363 ; Gaz. des B. Arts (18G9), ii.; (1870), iii. 47 ; Ltibke, Ital. Mai., ii. 450 ; Zeitschr. f. b. K, xiii. 41.