Page:Cyclopedia of Painters and Paintings, 1887, vol 3.djvu/342

MORENO-CARBONEEO ron's "Corsair"); Greek Corsairs on Sea- shore ; Madonna with Seraphs, Royal Chapel, Castiglione ; Neophyte in the Catacombs ; Ctesiir Borgia at Siege of Capua ; The Icon- oclasts ; Episode during Sicilian Vespers ; Queen Ginevra ; Page and Lady ; Christ Embalmed ; Christ Derided ; Loves of the Angels ; Assumption, Royal Chapel, Naples ; Sailing of Fugitives from Aquileja ; Tasso reading to Eleonora d'Este ; Morning in Florence ; Evening in Venice ; Christ walk- ing on the "Waters ; Mater Dolorosa ; Ma- donna Consolatrix ; Temptation of St. An- thony ; Assumption ; Christian Martyrs ; Pompeian Bath (1807) ; Odalisque after Bath; Love of Angels; Daughter of Jai- rus ; Prayer in Desert ; Mary's Walk to Golgotha ; Singing Monk ; Glad Tidings of Christ (1884). Art Journal (1880), 2(52; (1885), 345, 357 ; Gaz. des B. Arts (18(57), xxiii. 224 ; Illustr. Zeitg. (1881), i. 291, 29G ; Miiller, 377. MORENO-CARBONERO, Don JOSJ5, born in Malaga ; contemporary. Medals : Madrid, 3d class, 1875 ; 2d class, 1878, 1881 ; 1st class, 1884. Works : Dona Juana la Loca ; Don Carlos de Viana (1881) ; Gladi- ators in the Arena (1883) ; Conversion of Duke of Candia (18S4). La Ilustraciou (1882), i. 83; (1884), i. 382; ii. 153; Zoit- sclir. f. b. K, xvii. 281. MORERA, Don JAIME; contemporary. Landscape painter. Works: Ruins of Pses- tuni (1880) ; Laguna de Abcoude (1881) ; Road in Brittany (1884). La Ilustracion (1880), i. 291 ; (1881), i. 59, 382 ; (1884), i. 337 ; Illustr. Zeitg. (1881), i. 30. MORETTO, IL, born at Brescia about 1498, died there in 1555. Venetian school ; real name Alessandro Bonviciuo, but com- monly called Moretto or Moretto da Brescia. Said to have been a pupil of Titian's, but probably only a diligent student of his works, as his earlier creations show a de- pendence on his master Fioravante Ferra- mola and Romanino. Later he made a very successful approach to the highest perform- ances of the Venetian school ; and still later his colour foreshadowed the coming of Pa- olo Veronese. He aided Ferramola in 1518 in painting an organ screen for the old cathedral, Brescia, and Romanino in 1521 in the decora- tions in S. Giovanni Evangelista, Bre s - cia. In later years lie painted much for this church, one of his best efforts being the Massacre of the Innocents, a canvas tem- pera. Many other churches in Brescia pos- sess one or more of his pictures, the more noteworthy of them being the Coronation of the Virgin and the Christ in Glory in S. Nazzaro e Celso, the Virgin and Child in S. Clemcnte, the Majesty of St. Margaret in S. Francesco, the Virgin and St. Nicholas in S. Maria de' Miracoli, and the Glory of St. AnlJwny in S. M. delle Grazie. His Supper at Emmaus is in the Tosi Collec- tion. In 1544 he painted his celebrated Feast in the House of Simon, in S. M. della Pieta, Venice, the model of the style elab- orated by Paolo Veronese. The Marriage at Caua in S. Fermo, Lonigo, is of about the same date. Other important works by Moretto are : The Death of Adonis, Uffizi, Florence ; Death of Peter Martyr, Ambrosi- aua, Milan ; Virgin in Glory, SS. Clara and Catherine, St. Jerome and an Apostle, and Assumption, Brera, Milan ; Faith, Judith and Holofernes, Allegory of Faith, Hermit- age, St. Petersburg ; Madonna (ascribed to Giorgioue), Leuchteuberg Gallery, ib.; Ad- oration of the Shepherds, Madonna in Glory (1541), Berlin Museum ; The Virgin, Dres- den Museum ; Madonna. Four Roman Fa- thers at the Church, Stiidel Gallery, Frank- fort ; St. Justina, Vienna Museum ; SS. Bernardino and Louis, and SS. Bonaven- tura and Anthony of Padua, Louvre ; Por- trait of a, Nobleman (1526), St. Bernar- dino of Siena, National Gallery, London. C. & C., N. Italy, ii. 39G ; Ch. Blanc,