O'CONJSTELL Gallery, Berlin ; Cows at Pasture, Plough- ing Oxen (I860), Cow-Stable, Cows near Toques, Deer at the Fairy Pond (1863), On the Way Home, Stags before the Fight, Critical Moment, Rochers tie St. Christy, Street in Toques on Market-Day, two Pict- ures with Apostles (187-4) ; On Stinitz Lake in Autumn (1884); Locked out (Jubilee Ex- hibition, Berlin, 1886). Jordan (1885), ii. 161 ; Miiller, 898. O'CONNELL, FRIEDEUIKE (ne'e Mie- the), born at Potsdam, March 22, 1823, died in Paris in October, 1885. Portrait painter, pupil iu Berlin of Herbig and of Karl Be- gas, then at Brussels (1842) of Gallait ; in 1844 she married, and after separation from her husband settled in Paris, where her por- traits found great favor. In 1871 she lost her reason and was sent to an insane asy- lum. Gold medal, Brussels, 1851. Works : Humiliation of Richelieu ; Charlotte Cor- day ; Charity ; Venus served by Cupids ; Portraits of herself, of Rachel (1853) ; Peter the Great and Catherine, Maria Theresa and Frederic the Great (1853), Lady's Por- trait, National Gallery, Berlin. Jordan (1885), ii. 162 ; Chronique des Arts (1885), 262 ; Gii/. des B. Arts (1860), v. 349. O'CONNOR, JOHN, born in England; contemporary. Architecture painter. Works : High Level Bridge Newcastle-on-Tyne, Newcastle-on-Tyue Morning (1877) ; Gra- nada and the Alhambra, Patio de la Mes- quita Alhambra, Patio los Cypresses Al- hambra, Staircase of Burgos Cathedral, Las Torres Bermayas (1879) ; Waterloo Bridge (1880) ; Verona, do. from Piazza Dante (1881) ; Palladio's Piazza Vicenza, Palla- clian Architecture Vicenza (1882); Amiens Cathedral, Nuremberg- from Castle, Wind- sorfrom St. Leonard's Hill (1883) ; View from Pentonville (1884). OCTOBER AFTERNOON LAKE GEORGE, John Frederick Kensett, Corco- ran Gallery, Washington ; canvas, H. 4 ft. x 6 ft. An open foreground of rocks and fallen trees, with wooded headlands, sloping to the island-dotted lake, and high moun- tains in background ; in left foreground, cattle and a rustic bridge. Painted in 1864. Exhibited at Sanitary Fair, New York, in 1864, and at Exposition tmiverselle, Paris, in 1867. Olyphant sale, 1877, $6,300. ODALISQUE, Dominique Ingres, Baron Seilliere, Paris. Nude, reclining on cush- ions with her back to the spectator, with head turned to show face. Her head is covered with a Cashmere turban, and she has a fan of peacock's feathers in her left hand. Painted in 1814. Salon, 1819. En- graved by Ales. Paris, Metzmacher. Litho- graphed by Ingres (1825) ; Sudre. Ch. j Blanc, Life, 26. By Sir Frederick Leiyhtun, Robert Leake
- Eccles, Manchester ; canvas. The attendant
of the ladies of an Eastern harem, leaning languidly on the marble parapet of a basin and gazing wistfully at a swan, which seems to recognize her. Royal Academy, 1861. Engraved by Lumb Stocks. Art Journal (1876), 28. ODALISQUE WITH SLAVE, Dominique Ingres, M. Marcotte, Argeuteuil. Nearly nude, reclining on cushions, in a posture indicating ennui ; at her feet a young Abyssinian slave, seated, playing on a man- dolin ; in background, a black eunuch, standing. Painted at Rome in 1839. Orig- inal sketch, Emile Galichon, Paris. En- graved by Haussoullier. Ch. Blanc, Life, 106, 113. ODERIGI D'AGOBBIO, or ODERISIO, of Gubbio, died in Rome about 1299. Bo- lognese school ; a miniature painter, of Gubbio in 1264-65, at Bologna in 1268, and at Rome in 1295. Rescued from ob- livion by Dante, who calls him in the Pur- gatorio (xi. 79) Agobbio's glory. Vasari says he lived in close friendship with Gi- otto in Rome. No certain pictures by him are known to exist, but the miniatures in two masses in the Archivio de' Canonici di S. Pietro, Rome, are presumed to be his. C. & C., Italy, ii. 182 ; Vasari, i. 321 ; Bal- i dinucci, iv. 176 ; Ch. Blanc, cole bolonaise, Iiitrod. v.; Cibo, 11. 358
