Page:Cyclopedia of Painters and Paintings, 1887, vol 3.djvu/62

LAST SUPPER volted tribes, dead and living, are brought before the Sultan at the gates of the city of Morocco. Salon, 1880. LAST SUPPER, Fra Aixjdim, Convent of S. Marco, Florence ; fresco on wall. By Francesco Baxmno, Madrid Museum ; canvas, H. 5 ft. x 7 ft. Table set at an an- gle in a hall of Roman architecture ; St. Peter, at right of Jesus, holds a knife ; in front, Judas, with his back to the spectator ; in the angle of the table a dog and a cat quarrelling over a bone. Madrazo. By lionifuzio, Uffizi, Florence. Christ has By Philippe de Champaigne, Louvre ; canvas, H. 5 ft. 2 in. x 7 ft. 8 in. In centre, Christ, seated before a table, surrounded by the disciples, raises his ej'es to heaven and blesses the bread. Painted in 1G48 for Abbey of Port Royal. Repetitions, with changes, Lyons Museum, and in chapel of Chamber of Peers in the Luxembourg. Engraved by A. Girardet in Musee frauyais ; Chataigner. Villot, Cat. Louvre ; Filhol, v. PI. 295 ; Reveil, vi. 37G. By Michael Coxcie, Brussels Museum ; triptych. Central panel, Last Supper ; right, Last Supper, Philippe de Champaigne, Louvre. his hand on the shoulder of St. John, who leans his head upon the table, as in the fresco of Andrea del Sarto, in S. Salvi, Flor- ence. Laroussc, iii. 703. By Dierick limit*, St. Peter, Lou vain. This picture, an altarpiec-e, with wings, bears the signature of Memling, but the best critics regard it as the work of Bouts. The figures are distributed with great artis- tic judgment around a quadrangular table, and exhibit an admirable variety in action, character, and expression. Completed in 1407. Kugler (Crowe), i. 108 ; Larousse, iii. 704 ; Van Even, Nederlandsche Konstc- naers (Amsterdam, 1858). Washing of Feet ; left, Christ in Garden. Formerly in Church of St. Gudule ; placed in Museum in 1794. By Lucas Cranai-h, the elder (?), Church of Wittenberg ; triptych. Centre, Last Sup- per, with disciples seated around a circular table ; right wing, Sacrament of Baptism, administered by Melanchthon in presence of an assistant and three sponsors ; left wing, Confession, the confessor a portrait of Bu- genhagen. Predella, with Christ Crucified in centre, and on one side a pulpit with Luther preaching. Larousse, iii. 704 ; Kug- ler (Crowe), i. 193 ; Schadow, Wittenberg's Denkmaler, etc. (1825). 28