(1861); Breakfast of Vegetables (1863); Christ and Angels, Bull-Fight (1864); Christ insulted by Soldiers, Olympia (1865); Lola de Valence (1866); Breakfast, Balcony (1869); Music Lesson (1870); Kearsarge and Alabama (1872); Rest, Good Bock Beer (1873); Railway (1874); In the Press, In a Boat (1879); Portrait of Antonin Proust, At Father Lathuille's (1880); Portrait of M. Pertuiset—the Lion-Hunter (1881); Bar at the Folies Bergères, Jeanne (1882).—Art Journal (1884), 109; Bazire, Ed. Manet (Paris, 1884); Claretie Peintres, (1874), vii. 108, 203, 402; Gaz. des B. Arts (1864), xvi. 515; (1882), xxv. 547; (1883), xxvii. 342; (1884), xxix. 133; Kunst-Chronik, xviii. 543; xix. 319; Meyer, Conv. Lex., xvii. 566; Müller, 351; Zeitschr. f. b. K., xix. 241.
MANETTI, RUTILIO, born in Siena in
1571, died there in 1639. Sienese school;
pupil of Francesco Vanni, but a follower
rather of Caravaggio. Painted much for
churches in Siena, and worked also at Empoli,
Pisa, and Florence. He often introduced
vulgar details of real life into his
religious pictures. Works: St. Eloi raising
a Dead Man (1631), St. Paul, Siena Academy;
Birth of the Virgin, Siena Duomo;
Resurrection, Hospital of Monna Agnese,
Siena; Eli waked by the Angel, Pisa Duomo;
St. Margaret raising a Dead Child, Madrid
Museum; The Lovers, Palazzo Pitti, Florence.—Lanzi,
i. 317; Ch. Blanc, École florentine.
MANFREDI, BARTOLOMMEO DI. See
Bartolo di Fredi.
MANGLARD, ADRIEN, born at Lyons,
March 12, 1695, died in Rome, Aug. 31,
1760. French school; marine and landscape
painter, pupil of Adriaan van der Kabel;
passed most of his life in Italy, was
received into the Paris Academy in 1736,
also a member of the Academy of St. Luke
in Rome, and was the master of Joseph Vernet.
Works: Shipwreck, Storm near a City,
Louvre, Paris; Seaport with Fortress, Montpellier
Museum; Marine, Orléans Museum;
Roadstead with Vessels, Seaport with War
Vessels, do. with Sailors in Foreground, Sea
with Wreck, Museum, Vienna; Naval Battle,
Liechtenstein Gallery, ib.; Bay of Naples,
Harrach Gallery, ib.; Castle by the Sea at
Sunset, Czernin Gallery, ib.; Marines (2),
Turin Gallery; Seaport, Uffizi, Florence;
others in Genoa Gallery and royal palace
at Stockholm.—Bellier, ii. 21.
MANNA, FALL OF, Nicolas Poussin,
Louvre, Paris; canvas, H. 4 ft. 10 in. × 6
ft. 6 in. Scene: a rocky desert, with high
cliffs and trees on each side, and the tents
of Israel in a valley in background; in middle
ground, Moses and Aaron, with people
prostrating themselves before them; in foreground,
men, women, and children gathering
manna. Painted in Rome in 1639 for
M. de Chantelon, whence passed to Louis
XIV. Engraved by G. Chasteau (1680); B.
Audran; Bern; H. Testelin.—Landon, Musée,
viii. Pl. 33; Réveil, xii. 852.
By Tintoretto, Scuola di S. Rocco, Venice; square, on ceiling of upper room. The Israelites in a soft green meadow surrounded by blue hills with rich trees above them, to the branches of one of which is attached a gray drapery to catch the manna; some sheep also catch manna as it falls, or lick it from each others' fleeces; above, God the Father, seen through an opening in the clouds.—Ruskin, Stones of Venice, iii. 346.
By Tintoretto, S. Giorgio Maggiore, Venice; canvas, square, ceiling of upper room. A brook flowing through a mountainous country, studded with thickets and palm-trees; the Israelites busied in various manufactures more than in gathering manna—one group forging, another grinding manna in a mill, another making shoes, a woman making a dress, and some washing—the idea being to express the continuity of the supply.—Ruskin, Stones of Venice, iii. 302; Ridolfi, Marav., ii. 198.
By Paolo Veronese, SS. Apostoli, Venice; left wall, Cappella Maggiore.—Zanotto, 366.
MANNI, GIANNICOLA, born at Città
della Pieve about 1470 (?), died in Perugia,
Oct. 27, 1544. Umbrian school; pupil and
assistant of Perugino, in whose shop he was
