An image should appear at this position in the text. To use the entire page scan as a placeholder, edit this page and replace "{{missing image}}" with "{{raw image|Cyclopedia of painters and paintings (IA cyclopediaofpain03cham).pdf/216}}". Otherwise, if you are able to provide the image then please do so. For guidance, see Wikisource:Image guidelines and Help:Adding images. |  |
are in Madrid and Valencia; a great Battle
Scene by him (1660) is in the Schwerin Gallery.
Works: Portrait of J. B. del Mazo,
Passing the Red
Sea, and six other
pictures, Madrid
Museum. His son
and scholar, Miguel (1643-70), who studied
in Italy, painted similar pictures, but with
less success.—Ch. Blanc, École espagnole;
Madrazo, 438; Stirling, i. 756.
MARCH TO FINCHLEY. See Finchley.
MARCH TO PARIS IN 1814, Feodor
Dietz, National Gallery, Berlin; canvas, H.
11. ft. 6 in. × 13 ft. 10 in.; signed, dated
1868. Having defeated Napoleon at La
Rothière on February 1, 1814, Marshal
Blücher, authorized by the war-council of
the allied monarchs, began the advance towards
Châlons on February 2d. The picture
shows the aged general, with two adjutants
on horseback, at the head of a young Prussian
Landwehr-Regiment, who shout enthusiastically
as he points to the road to Paris;
in the middle, to right, cavalry advancing
across the wintry battle-field.
MARCHAL, CHARLES FRANÇOIS,
born in Paris, April 10, 1825, died there,
March 31, 1877. Genre painter, pupil of
Drölling and Dubois. Improved and prospered
until 1876, when he lost his eyesight,
and in despair committed suicide. Medals:
1864, 1866, and 1873. His Alsace has been
often engraved and lithographed. Works:
Misunderstanding (1852); Van Dyck in Rubens'
Studio (1853); Return from Masked
Ball (1855); Mother's Festival (1857); Chilly,
Last Kiss (1859); Interior of an Alsatian
Tavern (1861); Luther's Horse (1863); Servant
Market (1864), formerly in Luxembourg
Museum; Spring Time (1866); Katarina
(1867); Penelope (1868), H. Probasco,
Cincinnati; Phryne (1868); Secret (1870);
Alsace (1872); Morning in Alsace, Evening
ib. (1875), Miss C. L. Wolfe, New York;
Booty (1875); First Step (1876).—L'Art
(1877), ix. 48; Claretie, Peintres (1874),
233; Meyer, Gesch., 703; Meyer, Conv.
Lex., xvii. 569.
MARCHESI, GIROLAMO. See Girolamo
da Cotignola.
MARCKE, ÉMILE VAN, born at Sèvres,
August 20, 1827. Landscape and animal
painter, pupil of Troyon. Medals: 1867,
1869, and 1870; 1st class, 1878; L. of Honour,
1872. Works: Pastures by the Sea,
Pastures in the Woods (1868); Plain, Forest
(1874); Bridge on the Brèsles, River
Morte at Tréport, Village Pasture (1875);
Cliff (1876); Spring at Neslette (1877),
Mr. Brown, Philadelphia; Grass at Soreng
(1879); Meadows of Bourbel (1880); Sluice,
Study (1881); Swiss Cow, Norman Cow
(1882); Vache blanche, Samuel F. Barger,
New York; In the Landes, Wm. Astor, ib.;
Cows in a Pool, Cattle, W. H. Vanderbilt,
ib.; Cows Drinking, Spring Time, Cattle
Reposing, Cows in a Pool, On the Cliffs,
Going to Pasture, Mill Farm, formerly in
Mrs. Morgan's Collection, ib.; Study from
Nature, Early in the Morning, Cow, The
Pool, Misty Morning, Approaching Storm
(1873), W. T. Walters, Baltimore.—Bellier,
ii. 629; Meyer, Gesch., 760.
MARCO D'OGGIONE (Uggione, Uglone),
born in Oggione, near Milan, about
1470-80, died about 1530-40. Lombard
school; pupil of Leonardo da Vinci. Executed
careful copies of his master's pictures,
especially of his fresco of the Last Supper,
one of which is in the Royal Academy,
London, a second in the Brera, Milan, and
a third (small) in the Hermitage, St. Petersburg.
Oggione painted frescos, also, in S.
M. della Pace, Milan, now in the Brera. In
the Louvre are a Holy Family, and the Madonna
of the Scales, attributed to him.—Lanzi,
ii. 490; Vasari, ed. Le Mon., vii. 39,
44; ed. Mil., iv. 52; Ch. Blanc, École milanaise;
Burckhardt, 628, 707; Lübke, Gesch.
ital. Mal., ii. 45; W. & W., ii. 562.
MARCONI, ROCCO, native of Treviso,
end of 15th and beginning of 16th century.
Venetian school; Ridolfi calls him a pupil,
and Burckhardt a follower, of Palma Vec-
