and evidently took Karel Dujardin, Berchem, Potter, and Wouwerman, for his models. Medal, 1st class, 1806, 1819; L. of Honour, 1828. Works: Road with Diligence, Fair at the Door of an Inn, Starting for a Wedding in a Village, Louvre; Halt of Travellers, Bordeaux Museum; View on Sea-Shore, Cherbourg Museum; Education of Bacchus, Canal with Vessels, Return from Market, Farm, Landscape, Montpellier Museum; Fruit Stall in Open Air, Orléans Museum; Italian Landscape, Amsterdam Museum; Dedication Day, Brussels Museum; Street on Canal at Rotterdam, Schleissheim Gallery; Landscapes with Figures and Animals (2), Cattle Fairs (2), Travellers before Inn, Hermitage, St. Petersburg; Landscape with Figures (2), Turin Gallery; Sea View; Village Fair; Cattle Market; Procession on Road; Woman Mountebank; Interior of Guard Room; Country Schoolmaster; Death of Turenne; Crossing the Ford; Priest's Reprimand.—Bellier, i. 403; Ch. Blanc, École française; Cat. Louvre; Jal, 838; Lejeune, Guide, i. 428; Michiels, x. 567.
MARNEFFE, FRANÇOIS DE, born at
Brussels, died there in 1877. Landscape
and genre painter; marks a new departure
in modern landscape painting in Belgium.
Works: Huntsmen surprised by Rain
(1832); Donna Antonia of Portugal singing
to Charles II. of Spain (1831); Mill at St.
Lambert—Woluwe (1832); View in Forest
of Soigne with Chase (1834); View near
Brussels, View on Royal Estate (1835);
Charles II. of England in Forest of Boscobel,
Landscape with Waterfall (1836);
Wood-Interior (1837); View in Black Forest
(1839).—Immerzeel, ii. 204; Journal
des B. Arts (1860), 150; Raczynski, iii. 467.
MARQUEZ, ESTÉBAN, born at Estremadura
about 1655, died in Seville in 1720.
Spanish school. Pupil of his uncle Fernando
Marquez Joya (died 1672?), who was of
the school of Murillo; became so expert as
a copyist and imitator of Murillo that his
pictures have been sold as originals by that
master. Works: St. Joseph and Infant Jesus,
St. Augustine with the Madonna, St.
Augustine with Infant Jesus, Seville Museum;
St. Joseph and Infant Jesus, Cadiz
Cathedral.—Curtis, 339.
MARON, ANTON VON, born in Vienna
in 1733, died in Rome in 1808. History
and portrait painter, pupil of Vienna Academy;
said to have gone early to Rome, but
if so, was in Vienna again in 1768, when he
painted the portrait of Winckelmann, and
also took active part in the reorganization of
the Academy. In 1772 he was ennobled;
went in 1773 to Rome, where he married
the sister of Raphael Mengs, and was secretary,
and afterwards professor, at the Academy
of St. Luke. Works: Portraits of
Maria Theresa and Joseph II. (1775), Vienna
Museum; Family of Leopold of Tuscany,
Summer Palace at Schönbrunn, Portrait of
Winckelmann (1768), Weimar Museum.—Allgem.
d. Biogr., xx. 403; Wurzbach, xvii.
5.
MAROT, FRANÇOIS, born in Paris in
1666, died there, Dec. 3, 1719. French
school; history and portrait painter, pupil
of La Fosse; received into the Academy in
1702, adjunct professor in 1705, professor
in 1715. Works: Fruits of Peace (1702),
Tours Museum; Christ leaving the Disciples
at Emmaus, Hagar and Ishmael in the
Desert, Venus engaging Vulcan to forge
Arms for Æneas (1704); Slumber of Morpheus,
Louvre, Paris.
MARR, JOSEF (HEINRICH LUDWIG),
born in Hamburg in 1809, died in Munich
Oct. 29, 1871. Genre painter, pupil of Suhr
and in Altona of Rosenberg, then studied at
Copenhagen and (1825) Munich Academies;
visited Italy and settled in Munich. Works:
Return from Cattle Fair; Tavern Scene in
Bavarian Alps; Wild Bull, Suabian Girl;
Caretta Drive; Postilion Astray; Hostess
in the Snow; Horse-Market in Tyrol, Carlsruhe
Gallery; Monk on Donkey (1844), New
Pinakothek, Munich; Return from Kirmess,
Episode in War of 1813 (1885).—Kunst-Chronik,
vii. 152; Kunst für Alle, i. 25;
Nagler, Mon., iii. 493.
