- topher Sly (1865); Story of a Life (1866);
Talbot and Countess of Auvergne (1867); Prince Henry with Poins and Falstaff (1868); Salutation, Duke's Ante-Chamber (1869); Hundred Years Ago (1871); Casus Belli, Forest Pet (1872); The Protector, Cinderella (1873); Ophelia, Hamlet, and the King (1874); Too Good to be True (1875); Flotsam and Jetsam, Bill of Sale (1876); Jessica, Queen of the Swords (1877); A Social Eddy, Autumn (1878); Hard Hit (1879); Young Housewife, Napoleon on Board H. M. S. Bellerophon (1880); Housekeeping in the Honeymoon (1882); Voltaire (1883); Mariage de Convenance (1884); Scotch Lassie, J. W. Bates, Philadelphia; Salon of Madame Récamier (1885); Mariage de Convenance—After! (1886).—Academy (1886), i. 350; Art Journal (1870), 233; (1884), 188; (1885), 52; Portfolio (1878), 177.
ORDINAIRE, MARCEL, born at Maisières
(Doubs); contemporary. Landscape
painter, pupil of Courbet and of Français.
Medal, 3d class, 1879. Works: Seligthal
Brook (1868); Brook near Maisières (1870);
Under the Willows, ib. (1875); Ravine of
Puits-Noir (1875); Brook of Puits-Noir,
Winter at Maisières (1879); In Ravine of
Puits-Noir (1882); Whirlpool of Roches-Noires
at Cléron (1884).
ORDONNANCE, L' (The Orderly), Jean
Louis Ernest Meissonier, William H. Vanderbilt,
New York. A hussar has brought
a sealed letter to an officer of dragoons who,
interrupted in smoking his pipe, stands
with his back to the fire reading it, while
another hussar in red, seated in centre,
watches his countenance.—Claretie (1874),
16; Gazette des Beaux Arts (1867), xxiii.
322.
ORESTES, pictures. See Theodorus,
Theon, Timomachus.
ORGAGNA. See Orcagna.
ORIGINAL SIN. See Adam and Eve.
ORIZONTE. See Bloemen, Jan Franz van.
ORLANDI, DIODATO, of Lucca, close of
13th century. A Crucifixion by him, now
in the magazines of the palace of Parma, is
dated 1288. He painted as late as 1301,
the date of a Madonna by him, in five
arched compartments, now in the Pisa
Gallery. Diodato made no improvement
on debased Christian art.—C. & C., Italy, i.
160.
ORLANDO MUERTO. See Warrior,
Dead.
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ORLEY, BERNAERT (Barend), VAN,
also called Barend
van Brussel,
born in Brussels
about 1491-92,
died there, Jan.
6, 1542. Flemish
school; history
painter, probably
pupil of his father
Valentyn van
Orley; went to
Rome after 1509 (before 1515, in which year
he is settled in Brussels), and became a successful
imitator of, and possibly was even
instructed by, Raphael. In 1520 he was
appointed court-painter to Margaret of Austria,
governor of the Netherlands, and then
to her successor, Mary of Hungary (1524-35).
Albrecht Dürer was entertained at his
house in Brussels, in 1520, and painted his
portrait. His early pictures show good composition
and elevated sentiment, but his
later style is somewhat mannered and exaggerated;
though always careful in execution
and brilliant in colouring. Works:
Magdalen Reading, National Gallery, London;
Holy Family, Liverpool Institution;
Family praying to St. Christopher, Ladies
in Prayer, Madrid Museum; Christ on the
Cross, Turin Gallery; Marriage of the Virgin,
Louvre; Altarpiece with History of
Job (1521), Pietà, Holy Family, Episodes in
Life of the Virgin, Portrait of Guillaume de
Norman (1519), do. of Physician, Brussels
Museum; Magdalen at the Saviour's Feet,
Christ bearing the Cross, Church of the
Saviour, Bruges; Infant Christ, Adoration
of the Magi, Madonna, Female portrait,
