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PASSIGNANO, DOMENICO DA, Cavaliere,
born at Passignano about 1550, died
in Florence, May 17,
1638. Florentine
school; real name
Domenico Cresti;
pupil successively of
Girolamo Macchietti,
Battista Naldini, and
of Federigo Zucchero,
whom he aided in
painting the cupola of
S. M. del Fiore (the
Duomo), Florence, and with whom he went
in 1581 to Venice, where he profited by the
advice of Paolo Veronese; returned to Florence
in 1589, and was thrice called to Rome,—by
Clement VIII., who made him a knight
of the Order of Christ, by Paul V., and in
1625 to execute important works. Though
neither correct in design nor select in his
forms, he aided in the reform of the Florentine
school by improving the taste for colour.
He was a prolific and rapid painter,
and many of his pictures have faded. He
formed many pupils, among others, Alessandro
Tiarini and Lodovico Carracci. Perhaps
his most perfect work is a Glory in
the Church of the Fathers of Vallombrosa
at Passignano. Other works: Finding of
the Cross, Louvre, Paris; Adoration of the
Shepherds (1600), Darmstadt Museum;
Banquet of Ahasuerus, Vienna Museum;
Entombment, Palazzo Borghese, Rome; Assumption,
S. Andrea della Valle, ib.; Dead
Christ, Capella di Mondragone, Frascati;
Christ bearing the Cross, Collegio S. Giovannino,
Florence; Descent of the Holy Ghost,
S. Maria Maggiore, ib.; Assumption, St. Andrew,
St. Peter, Academy, ib.; Christ bearing
the Cross, Madonna, Artist's Portrait, Uffizi,
ib.; others in Palazzo Brignole, Genoa, and S.
Martino, Lucca.—Ch. Blanc, École florentine;
Burckhardt, 766; Lanzi, (Roscoe), i. 215.
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PASSINI, LUDWIG, born in Vienna,
July 9, 1832. Genre painter, son of the engraver,
Johann Passini, pupil of Vienna Academy
under Kupelwieser, Führich, and Ender;
went in 1850 to Trieste, thence to Venice,
allied himself to Karl Werner and accompanied
him to Dalmatia
and Rome, where he
settled in 1855; after his
marriage, in 1864, he lived
for several years in Berlin,
returned to Rome, and in
1873 settled in Venice.
Ranks among the first masters
in water-colour. Member
of Vienna, Berlin, and
Venice Academies. Medals: Berlin, 1866,
1871; Paris, 1870; Vienna, 1873; L. of
Honour, 1878. Works: Young Priest Catechizing;
Girls' School; Choir Masters at
Church (1870), National Gallery, Berlin;
Vespers at St. Paul's, Rome; Confessional;
Ponte della Paglia; Melon-Seller at Chioggia;
Girl with Doll; Madonna del Humilladero;
Reader of Tasso among Fishermen
at Chioggia (1874); Il Passeggio, Viaticum,
Lisetta (1883).—Allgem. K. C., x. 232; Illustr.
Zeitg. (1869), ii. 271; Kunst-Chronik,
xviii. 510; xix. 510; xxi. 547; Kunst für
Alle, i. 177; Müller, 408; Zeitschr. f. b. K.,
iv. 15; vi. 172; viii. (Mittheilungen, i. 57).
PASTORIS DI CASABROSSO, Conte
FEDERIGO, born at Asti, Italy; contemporary.
Genre painter. Works: Monks
going to Prayer, University Library of Turin;
Country Life in Piedmont; Rope Dancer;
Bishop's Banquet; Harvest and Vintage.
PASTURE, ROGELET DE LA. See
Weyden.
PATEL, PIERRE, born in Picardy (?)
about 1605, died in Paris, Aug. 5, 1676.
French school; son of a landscape painter
of the same name, and pupil of Simon Vouet.
His landscapes somewhat resemble those of
Claude Lorrain. Was employed to decorate
the apartments of Anne of Austria in the
Louvre. Works: Exposure of Moses, Moses
burying the Egyptian he Killed, Landscape
with Animals, do. with Architecture,
Louvre, Paris; Landscapes in Museums of
Besançon, Marseilles (2), Montpellier, Nantes