Salzburg in 1839. Animal and landscape painter, pupil of Vienna Academy, then in Carlsruhe of Schirmer, and in Zürich of Koller. Gold medal, 1873. Works: Foxes; Wounded Chamois; Rutting Time; Wood Interior, Vienna Museum; After the Fight; Stags Fighting; Deer in the Höllengebirge. His wife Rosalie paints pleasing genre pictures.—Müller, 409; Wurzbach, xxi. 380; Graph. K., i. 66; Kunst-Chronik. xix. 518; xx. 349; Meyer, Conv. Lex., xxi. 696; Illustr. Zeitg. (1882), i. 387.
PAUSON, painter, of Athens, probably
near the beginning of the 4th century b.c.
Aristotle says (Poet., 2, 2) that he delighted
in painting what was defective or repulsive
in men, from which we infer that he was a
painter of caricatures.—Aristoph. Acharn.,
854; Plut., 602.
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PAUWELS, FERDINAND, born at Eckeren,
near Antwerp,
April 13,
1830. History
painter, pupil of
Antwerp Academy
in 1842-50, under
Dujardin, then
of Wappers; won
the grand prix de
Rome in 1852; spent
four years in Italy,
where he painted several biblical subjects;
visited Dresden, and on his return to Antwerp
took up successfully subjects from local
history. In 1862-72 he was professor
at the Art School in Weimar; returned to
Antwerp, and in 1876 became professor at
the Dresden Academy. Gold medals, 1857,
1864, 1868; Order of Leopold, 1861.
Works: Balduin and his Daughter Joanna
(1851); Coriolanus persuaded by his Mother
(1852); Deborah as Judge over Adultery;
Rizpah watching over the Bodies of her
Sons (1856); Miracle of St. Eugenia, Calling
of St. Clara (1859); Jacob van Artevelde's
Widow (1860), Brussels Museum; Salvation
of Levyn Pyn (1862), Corcoran Gallery,
Washington; Return of Exiles to
Antwerp (1863), H. O. Mühlberg, Berlin;
Louis XIV. receiving Delegation of Genoa
(1864), Maximilianeum, Munich; Burghers
of Ghent before Philip the Bold (1865);
America abolishing Slavery, Persecution
of Protestants in the Netherlands (1868),
Königsberg Museum; Queen Philippine assisting
the Poor at Ghent (1866); Visit of
Count Philip of Alsace to Hospital of St.
Mary at Ypres (1877), Dresden Museum;
Admonition, Leipsic Museum; Frescos in
Luther's House at the Wartburg; Joanna
of Flanders liberating Prisoners at Ypres in
1214 (Jubilee Exhibition, Berlin, 1886).—Kaulen,
234; Riegel, D. Kunststud., 425;
Zeitschr. f. b. K., ii. 186.
PAX VOBIS, Raphael, Count Tosi, Brescia;
wood, H. about 1 ft. 4 in. The risen
Christ, with red drapery round the body
and on the right shoulder, and crown of
thorns upon his head, raises one hand in
benediction, and points with the other to
wound in his side. Probably painted in
1505. In good preservation. Belonged
formerly to the Mosca family at Pesaro.
Engraved by L. Gruner.—Passavant, ii.
32.
PAYER, JULIUS VON, Ritter, born at
Schoenau, near Teplitz, Bohemia, Sept. 1,
1842. History painter, pupil at the Städel
Institute, Frankfort, of Hasselhorst, and at
the Munich Academy of Alexander Wagner;
having taken up painting after his return
from the second Austrian north-pole expedition
(1872-74), he achieved a marked success,
even with his first work: Starvation-Cove
(Bay of Death, 1883), representing the
end of the Franklin expedition, the principal
phases of which he intends to depict in
a series of four paintings. In 1884 he went
to Paris to continue his studies under Munkácsy.
He is commissioned to paint, for the
Museum of Natural History in Vienna, two
views of Francis Joseph-Land in the polar
region explored by him. Great gold medal,
Munich, 1883; gold medal, Berlin, 1886.—Allgem.
K. C., viii. 601; Brockhaus, xii.
767; Kunst-Chronik, xix. 110, 123, 157; xx.
