flew to his heart, and the reconciliation was complete. On the death of the Duchess, the Duke married Lavinia Fenton at Aix in Provence, 21 October, 1751, just one day beyond the month after the death of his wife, who died on 20 September.
The children borne by "Polly" to the Duke before the marriage were three sons, who all assumed the name of Powlett. The Duke died on 26 August, 1754, and was succeeded in the dukedom by his brother. "Polly" Fenton died at West Combe Park, Kent, on 24 January, 1760, at the age of fifty-two.
Assuredly never was a more sudden, complete, and unexpected success achieved than that by the production of The Beggars’ Opera. It defied the prevailing taste; it went contrary to all the received canons of art, it was as audacious as a play as it was musically. Hitherto the Opera had been in the hands of Italians. The themes selected for musical setting had been classic and mythological. Then came Gay, taking his subject from the lowest class—gaol-birds; and discarding all intricate and foreign music, set his songs to melodies familiar to all from their cradles.
It was said of the deserted stalls and boxes at the Italian Opera whilst Gay's piece held the town, that he had made of the Italian the veritable Beggars' Opera.
Sir Robert Walpole was frequently the subject of Gay's satire. Nevertheless he attended the first performance, and sat in one of the stage lounges. When Lockit sang—
When you censure the age,
Be cautious and sage,
Lest the courtiers offended should be.
If you mention vice or bribe,
Tis so pat to all the tribe,
That each cries—That was levelled at me!
