and described his plants as he collected them, and these notes, with his splendid collections, formed a good basis of operation. After his death the whole of these came into the possession of the East India Company. His manuscripts were confided to his friend Dr. MacClelland for publication, but, unfortunately for science, they were not properly edited, and the published volumes are disfigured by gross errors. The originals are in the library of the Kew herbarium, which also possesses a fine set of his plants. In the opinion of the highest living authority on Indian botany, Griffith was the acutest botanist who ever visitod India, but his unfortunate temper was the means of constantly involving him in quarrels with his brother officials.
His most important papers were published in the ‘Transactions of the Linnean Society,’ while shorter papers came out in the ‘Asiatic Researches,’ ‘Journal of the Asiatic Society of Bengal,’ ‘Medical and Physical Society of Calcutta,’ and the ‘Calcutta Journal of Natural History,’ which lapsed on his death.
The following were published posthumously by MacClelland: 1. ‘Icones Plantarum Asiaticarum,’ Calcutta, 1847-51, 4to. 2. ‘Itinerary Notes,’ Calcutta, 1848, 8vo. 3. ‘Palms of British East India,’ Calcutta, 1850, folio. 4. ‘Notulæ ad Plantas Asiaticas,’ Calcutta, 1851, 3 vols. 8vo.
[Proc. Linnean Soc. i. 239-44; Jackson's Guide to Lit. of Botany, p. 553.]
GRIFFITH, WILLIAM PETTIT (1815–1884), architect and archæologist, son of John William Griffith, architect, was born 7 July 1815, at 9 St. John's Square, Clerkenwell, where his father resided for more than half a century. He was brought up to the profession of an architect, and before he was twenty was writing notes in London's ‘Architectural Magazine.’ He continued these notes, under the signature ‘Tyro, Wilmington Square,’ from 1835 to 1837, besides contributing original articles and designs in 1836. In 1839 and 1840 he exhibited architectural designs in the Royal Academy, and in 1840-1-2 water-colour drawings of fonts and portions of old churches at Hendon, Broxbourne, St. Albans, &c., in the galleries of the Society of British Artists. On 12 May 1842 he was elected F.S.A.; and between 1856 and 1858 exhibited architectural fragments in connection with his work of restoration at St. John's Gate, Clerkenwell. On 29 Nov. 1860 he exhibited and described drawings, made by him from actual admeasurement in 1842, of the original Norman chancel in Great Amwell Church, since destroyed (given with plates in Proceedings Soc. Antiq. Lond.) He was elected F.R.I.B.A. 14 June 1847, and on that evening made some remarks as to ‘The Principles which guided the architects in constructing the Minsters, Cathedrals, and Churches of England.’ In 1855 he was awarded the institute silver medal for an ‘Essay on the Principles or Laws which govern the Formation of Architectural Decorations and Ornaments;’ the manuscript, illustrated by neatly executed ink and sepia drawings, is in the library of the Royal Institute of British Architects in Conduit Street. In connection with it are four sheets of drawings, ‘Classification of Mediæval Ornaments,’ and ‘Designs for Mediæval Ornaments from the Vegetable Kingdom. Arranged geometrically and conventionalised.’ At the chapter meetings of the college of the Freemasons of the Church he communicated, on 12 Aug. and 9 Sept. 1845, papers ‘On the Ancient Baptismal Fonts of England’ (drawings of nine ancient fonts which he had made in 1838-9 were engraved on one sheet by Webb & Son); on 10 Feb. 1846, ‘On the Different Kinds of Stone employed in the Edifices of Babylon, Egypt, Greece, Rome, and Great Britain;’ and 13 Oct. 1846, ‘On the Hagioscope or Squint in the Ancient Parochial Churches of England.’ He was made an honorary member of the Bedfordshire Architectural Society in 1847, and read at Elstow, 25 May 1852, ‘Suggestions for a more Perfect and Beautiful Period of Gothic Architecture’ (published in pamphlet form 1855). Elected honorary member of the Liverpool Architectural Society 1849, he communicated to its meetings: 15 April 1857, ‘Proportion its Practical Application to Architecture and the Fine Arts;’ 1860, ‘Of the Resources of Design in the Natural Kingdom;’ 1863, ‘Of the Influence of Fashion in Architecture.’ At the Surrey Archæological Society he read, 30 June 1854, ‘On the Ancient Baptismal Fonts of England:’ in 1856 was made an honorary member; 12 June 1856 communicated ‘An Architectural Notice of Archbishop Whitgift's Hospital at Croydon;’ and 12 May 1858, ‘An Architectural Notice of the Nave of St. Saviour's Church, Southwark.’
Among the works executed under Griffith's superintendence are: The reparation of St. John's Church, Clerkenwell, 1845; the restoration of St. John's Gate, 1845-6; the rebuilding of the spire (1849) and the erection of a font (1851) for St. James's Church, Clerkenwell. The drawing of the font was engraved. He designed the Cherry Tree Tavern, Clerkenwell, 1852; the Goldsmiths'
