Page:Discovery and Decipherment of the Trilingual Cuneiform Inscriptions.djvu/92

the ruins in too perfect a condition: the lower portion of the massive piers at the entrance have the appearance of being intact; the eastern stairs of Xerxes are also represented as far too well preserved, and the artist has entirely omitted the great mound opposite the Central Edifice. Apart from these defects, the drawing gives an intelligent design of the place, and it will enable the reader to recover from the nightmare into which he may have fallen after reading the account of Thévenot, and even the description of Chardin himself. The other plates are devoted to separate drawings of the more remarkable objects. One (Plate 54) makes the first attempt to reduce the platform to scale; but the buildings are not indicated upon it. Another gives the Great Staircase (Plate 55); two are devoted to the Porch (Plates 56 and 57); two to the Sculptured Stairs (Plates 58 and 59); two to the Columns of the Hall of Xerxes (Plates 60 and 61). The bas-reliefs are treated with special attention. Besides those on the Porch and the Sculptured Stairs, we are shown the King walking beneath the parasol (Plate 62); seated upon the chair of state above the five rows of guards (Plate 63); and again over the three rows of suppliants (Plate 64). Special plates are devoted to his contests with wild animals (Plate 65), and to the guards at the entrance to the Palaces (Plate 66). A plate is devoted to each of the Tombs on the hill (Plates 67 and 68), and another to a general view of the tombs at Naksh-i-Rustam. By means of these admirable drawings the Persepolitan ruins received their first adequate illustration. Daulier had indeed contributed a general view of some excellence; but the few and insignificant sketches he attempted of the bas-reliefs were the only drawings that had yet appeared. It is doubtful whether anything much better has since been produced than the