whether mind-expanding, mind-contracting, or mind-controlling. In the horrendously overpopulated future of Harry Harrison's Make Room! Make Room! (1966), LSD and marijuana are the best available escapes from the daily nightmare that is life; in a similarly crowded world imagined by Doris Pitkin Buck in Come Where My Love Lies Dreaming (1964) the drug of choice is nothing we have today, but rather one that gives the user the vicarious experience of existence as a dinosaur! However different the details, though, the stories say the same thing: that fortitude is not enough, that chemical assistance will be needed.
The stories in the sample chosen for this project illustrate the whole range of drug themes in science fiction, from the plausible to the fantastic, from the horrifying to the ecstasy-inducing. In a world where man and his technological marvels must coexist along an uneasy interface, science fiction indicates some of the possible impact areas in the decades and centuries ahead.
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