become common property, it would be well worth translating as a contemporary account. Sande's book, it is needless to state, is of exceeding rarity. It may be seen in a show-case in the King's library at the British Museum, side by side with the very oldest South American books.
European publications in China since 1590 are numerous, and have been enumerated by that distinguished Sinologue, M. Henri Cordier, in his epoch-making bibliography. Time, however, compels me to pass to Japan, where the subject has received most important illustration from the labours of the present English minister to that country, Sir Ernest Mason Satow. Sir Ernest found examples of the use of movable types in Japan about 1598, and endeavoured to ascertain whether the art had been imported from Korea, where, as I have already stated, it existed at a much earlier period, or whether it was taught to the Japanese by the Jesuit missionaries. The point remains undecided; but Sir Ernest's researches have acquainted him with fourteen books printed by the missionaries between 1591 and 1605—some in Latin, some in Japanese, some in both languages. Some are religious in character, others philological. One, exceptionally, is a translation into Japanese of "Æsop's Fables," thus curiously restored to the East whence they originally came. Sir Ernest, himself a Japanese scholar, has given a minute account of all, with the aid of numerous facsimiles. All, of course, are of the greatest rarity, and chiefly to be found in the public libraries of London,
