can't dwink, an' you just fly 'wound an' 'wound, lookin' for somefing to light on!"
"Right-o, young gentleman!" said Mr. Watlin, "and put as couldn't be better. And the moral is, mike the most of our time wot's left!"
"Well, fer my part," sighed Mary Ellen, "I've et so hearty, I feel like as though I'd a horse settin' on my stomick! Sure I don't know how to move."
"A little pinch of bi-carbonate of soder will hease that, my dear," said her lover.
"Please, did you bring your fiddle, Mr. Watlin?" pleaded Angel, "won't you play now?"
"Ah, I lof da fiddle!" said Tony, caressing Anita's little head.
Mr. Watlin, thus importuned, disappeared for a space into the back hall, whence he finally emerged in his shirt sleeves, carrying the violin under his arm. We drew our chairs together at one end of the room, and watched him as he tuned the instrument, frowning sternly the while.
"Lydies and gentleman," said he, "I 'ope you'll pardon me appearing before you in my waistcoat. I must not be 'ampered you see, wen I manipulate the bow. I must 'ave freedom. It's a grand thing freedom! Ah!"
"He's gone as far as he can go on the fiddle," explained Mary Ellen to the company. "Someday he'll give up the butchering business and take to music thorough."
[151]
