The Terror of a Toy
who could do such a thing than many more mature monsters who could invent or admire it. There were some doubtless who neither invented nor admired. It is one of the peculiarities of the Americans that they combine a power of producing what they satirize as "sobstuff"? with a parallel power of satirizing it. And of the two American tall stories, it is sometimes hard to say which is the story and which the satire. But it seems clear that some people did really repeat this story in a reverential spirit. And it marks, as I have said, another stage of cerebral decay. You can (with luck) break a window with a toy arrow; but you can hardly bombard a town with a toy gun. If people object to the mere model of a cannon, they must equally object to the picture of a cannon, and so to every picture in the world that depicts a sword or a spear. There would be a splendid clearance of all the great art-galleries of the world. But it would be nothing to the destruction of all the great libraries of the world, if we logically extended the principle to all the literary masterpieces that admit the glory of arms. When this progress had gone on for a century or two, it might begin to dawn on people that there was something wrong with their moral principle. What is wrong with their moral principle is that it is immoral. Arms, like every other adventure or art of man, have two sides according as they are invoked for the infliction or the defiance of wrong. They have also an element of real poetry and an element of realistic and therefore repulsive prose. The child's symbolic sword and bow are simply the poetry without the prose; the good without the evil. The
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