THE FIFTH STRING
and the red-faced woman on his arm passed in.
They saw the largest crowd in the history of the Academy. Every seat was occupied, every foot of standing room taken. Chairs were placed in the side aisles. The programs announced that it was the second appearance in America of Angelo Diotti, the renowed Tuscan violinist.
The orchestra had perfunctorily ground out the overture to "Der Freischuetz," the baritone had stentorianly emitted "Dio Possente," the soprano was working her way through the closing measures of the mad scene from "Lucia," and Diotti was number four on the program. The conductor stood be side his platform, ready to ascend as Diotti appeared.
The audience, ever ready to act when those on the stage cease that occupation,
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