on her objections, Nate throwed up the sponge. Then he turned his attentions to me again and again he is thrown for a loss. I didn't want to quit the ring and toss away the jack I could make as a champ any more than I wanted to go to the hospital and have my ears cut off, but rather than lose Judy's friendship I'd give up anything! When Nate finds his threats and pleadings is useless, he gets maniacal with rage and tells me he's going to sell his interest in our picture theatre, check out of Drew City, and go back to live in New York, taking Kayo Kelly with him. That was a blow to me indeed, as I had come to look on Nate and Kayo as face cards in any man's deck. What I'll do if they both desert me was a fresh problem for my busy mind.
However, Knockout Kelly solved that for me himself in a short but highly interesting speech he made when Nate told him to pack his collars for the voyage to New York.
"No can do, Nate," says Kayo, shaking his head. "Me and this slab is gettin' along fine. I think I'll stick here with Gale and see what happens. Besides, the further away I stay from Broadway the better for all concerned. A married man ain't got no business steppin' out and"
"A married man!" yells Nate, grabbing Kayo by the shoulders. "And I thought you was blonde-proof! Have you went to work and wed somebody on me, you big sapolio?"
Kayo shakes himself loose. "Well, I ain't exactly a matrimaniac yet," he says, with a sickly grin. "But I will be in a few weeks. Me and Mary Ballinger has
