fulfills not only all the psychic wishes but also all physical needs, and when it represents one of the forms of happiness attainable by man it is due, in no little measure, to the possibility of gratifying without reproach also wish feelings which were long repressed and designated as perverse.[1] Even in the happiest recent marriage the father feels that his child, especially the little boy has become his rival, and this gives origin to an antagonism against the favorite one which is deeply rooted in the unconscious.
When in the prime of his life Leonardo re-encountered that blissful and ecstatic smile as it had once encircled his mother's mouth in caressing, he had long been under the ban of an inhibition, forbidding him ever again to desire such tenderness from women's lips. But as he had become a painter he endeavored to reproduce this smile with his brush and furnish all his pictures with it, whether he executed them himself or whether they were done by his pupils under his direction, as in Leda,
- ↑ Cf. Three Contributions to the Theory of Sex, translated by A. A. Brill, 2nd edition, 1916, Monograph series.
