intertwining of reciprocal relations. The dream is that of a patient whom I am treating for claustrophobia (fear in enclosed spaces). It will soon become evident why I feel myself called upon to entitle this exceptionally intellectual piece of dream activity in the following manner:
II. "A Beautiful Dream"
The dreamer is riding with much company to X-street, where there is a modest road-house (which is not the fact). A theatrical performance is being given in its rooms. He is first audience, then actor. Finally the company is told to change their clothes, in order to get back into the city. Some of the people are assigned to the rooms on the ground floor, others to the first floor. Then a dispute arises. Those above are angry because those below have not yet finished, so that they cannot come down. His brother is upstairs, he is below, and he is angry at his brother because there is such crowding. (This part obscure.) Besides it has already been decided upon their arrival who is to be upstairs and who down. Then he goes alone over the rising ground, across which X-street leads toward the city, and he has such difficulty and hardship in walking that he cannot move from the spot. An elderly gentleman joins him and scolds about the King of Italy. Finally, towards the end of the rising ground walking becomes much easier.
The difficulties experienced in walking were so distinct that for some time after waking he was in doubt whether they were dream or reality.
According to the manifest content, this dream can hardly be praised. Contrary to the rules, I shall begin with that portion which the dreamer referred to as the most distinct.
The difficulties which were dreamed of, and which were probably experienced during the dream—difficult climbing accompanied by dyspnœa—is one of the symptoms which the patient had actually shown years before, and which, in conjunction with other symptoms, was at that time attributed to tuberculosis (probably hysterically simulated). We are already from exhibition dreams acquainted with this sensation of being hindered, peculiar to the dream, and here again we find it used for the purpose of any kind of representation, as an ever-ready material. That part of the dream content
