Chap. III.]
Fugue.
39
97. Our next examples are more modern—
Mendelssohn. 'Christus.
![\new ChoirStaff <<
\new Staff \relative b, { \clef bass \key bes \major \time 4/4 \partial 8*5 \mark \markup \tiny { ( \italic a ) }
bes8^\markup \bold "S" d[ f bes8. bes16] |
bes2 bes8 f g a | bes4 bes8 c des2 | c }
\new Staff \relative f { \clef tenor \key bes \major
f8^\markup \bold "A" a[ c f8. f16] |
f2 f8 c c d | ees4 ees f ges2 | f4 s } >>](http://upload.wikimedia.org/score/7/a/7av5licy0x22s9cljtipqkmhyke4vxl/7av5licy.png)
Schumann. 'Faust.'
![\new ChoirStaff <<
\new Staff \relative b { \clef tenor \key bes \major \time 4/4 \partial 16 \mark \markup \tiny { ( \italic b ) }
bes16^\markup \bold "S" | bes4 f8. d'16 d4 bes8. g'16 |
g4. g8 f4 bes, | ees4. ees8 d4 }
\new Staff \relative f' { \key bes \major
f16^\markup \bold "A" | f4 c8. a'16 a4 f8. d'16 |
d4. d8 c4 f, | bes4. bes8 a } >>](http://upload.wikimedia.org/score/7/6/76i89z2ec40lef71oo1wnd8kluzuj91/76i89z2e.png)
It is only needful to remark that in the latter part of example (a) there is a modulation. The principle by which this part of the answer is regulated will be explained in the next chapter.
98. In Cherubini's Treatise on Fugue we find the following example of a real answer to a subject going to the dominant through the third of the scale—
Cherubini. Treatise on Fugue.
![\new ChoirStaff <<
\new Staff \relative g' { \key g \major \time 4/4
r8^\markup \bold "S" g b d e4. d8 | cis a c e d4. c8 | b }
\new Staff \relative d' { \clef alto \key g \major
r8^\markup \bold "A" d fis a b4. a8 |
gis e g b a4. g8 | fis } >>](http://upload.wikimedia.org/score/s/w/swi7zbiqbcb6th7zw0k53rojljpbe4a/swi7zbiq.png)
Cherubini gives this without a word of explanation; it is clear, therefore, that he did not regard it as an irregularity.
99. Two more passages will complete our illustrations of this point—
Clementi. Gradus ad Parnassum, No. 45.
![\new ChoirStaff <<
\new Staff \relative c'' { \key c \minor \time 4/4 \mark \markup \tiny { ( \italic a ) }
c4(^\markup \bold "S" ees) r8 g g g | d4( f) r8 g g g_"&c." }
\new Staff \relative g { \clef bass \key c \minor
g4(^\markup \bold "A" bes) r8 d d d | a4( c) r8 d d d } >>](http://upload.wikimedia.org/score/d/j/dj45yydz1s1tc40rwqg33jkuxpdlzcl/dj45yydz.png)
Verdi. Requiem.
![\new ChoirStaff <<
\new Staff \relative f' { \key f \major \time 2/2 \mark \markup \tiny { ( \italic b ) }
f4. f8 a4 c | f2 e | d c4 bes | a_"&c." }
\new Staff \relative c' { \key f \major
c4. c8 e4 g | c2 b | a g4 f | e } >>](http://upload.wikimedia.org/score/j/c/jcluo0l9qi6d8pd5babuqvlidvnyje4/jcluo0l9.png)