to his son Atahualpa." Then they moved backwards, crossing and re-crossing, swaying their black veils. Twelve times they repeated this movement, and each time the chant grew louder, while the purl of the quenias swelled and broadened.
Maria-Teresa, holding Christobal closely to her, stared fixedly at Huayna Capac, and the Dead One seemed to stare back at her. He also wore the bat-skin robe made for the Corridors of Night, but beneath it could be seen the royal mantle and the golden sandals. His face, calm and severe, majestic in its still beauty, nearly had the hues of life; it was framed in masses of coal-black hair, crowned with the royal borla in which quivered the plumes of the coraquenque. Under the half-closed lids the eyes seemed living. The dead king was seated naturally, his hands resting on his knees, and so life-like was his whole attitude that to Maria-Teresa's horrified eyes he seemed to be breathing. Only little Christobal heard her half-strangled cry, for the mammaconas were repeating their chant for the twelfth time, and with the piercing note of the quenias, deadened all other sound in the House of the Serpent.
Down below there, the mob of Indians was swaying, swaying gently from right to left, in imitation of the rhythmic movements of the three
