GENIUS AND OTHER ESSAYS
safeguard of his poetry, of his prose, and of his almost blameless life.
We confess to feeling little of the critic's irreverence in reviewing this Nestor of our poets. Though long past the age at which his leading compeer now shows symptoms of declension, he returns to his first love, and has added to his metrical works a collection equal to about one-half their previous amount. Among the Thirty Poems are a few that have appeared elsewhere, but we read the greater portion for the first time. There are two entirely new and sustained pieces, each longer than any of his earlier works. We have also the Fifth Book of Homer's Odyssey, done into English blank-verse. The reader will perceive that this volume is the most important contribution which American poetry has for some years received.
The book opens with "The Planting of the Apple-Tree," now everywhere reprinted from magazine columns. This exquisite lyric affords an illustration of the limit to which Mr. Bryant, as a melodist, is subjected. With a purpose evidently to give spirited abruptness to the refrain, the last verse of each stanza is a foot shorter than its correspondent. This has a certain effect, but jars harshly on the even cadence of the author's style; and a more facile artist would have found a better way to achieve the desired result. When Mr. Bryant ventures beyond the established metres, it is with uncouthness and an air of doubt. He is in unknown waters, and would gladly touch firm land; but then, as we have said, he seldom ventures. The poem in question is followed by the per-
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