physical science. He shows that the scientist tends to be more concerned about the sickness than about the sick man; but it was certainly in his mind to suggest here also that the idealist is more concerned about the sin than about the sinner.
This business of Dr. Paramore's disease while it is the most farcical thing in the play is also the most philosophic and important. The rest of the figures, including the Philanderer himself, are in the full sense of those blasting and obliterating words "funny without being vulgar," that is, funny without being of any importance to the masses of men. It is a play about a dashing and advanced "Ibsen Club," and the squabble between the young Ibsenites and the old people who are not yet up to Ibsen. It would be hard to find a stronger example of Shaw's only essential error, modernity—which means the seeking for truth in terms of time. Only a few years have passed and already almost half the wit of that wonderful play is wasted, because it all turns on the newness of a fashion that is no longer new. Doubtless many people still think the Ibsen drama a great thing, like the French classical drama. But going to "The Philanderer" is like
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