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George Bernard Shaw

turn of argument or trick of thought which has ever since been the plague of their lives, and given him in all assemblies of their kind, in the Fabian Society or in the whole Socialist movement, a fantastic but most formidable domination. This method may be approximately defined as that of revolutionising the revolutionists by turning their rationalism against their remaining sentimentalism. But definition leaves the matter dark unless we give one or two examples. Thus Bernard Shaw threw himself as thoroughly as any New Woman into the cause of the emancipation of women. But while the New Woman praised woman as a prophetess, the new man took the opportunity to curse her and kick her as a comrade. For the others sex equality meant the emancipation of women, which allowed them to be equal to men. For Shaw it mainly meant the emancipation of men, which allowed them to be rude to women. Indeed, almost every one of Bernard Shaw's earlier plays might be called an argument between a man and a woman, in which the woman is thumped and thrashed and outwitted until she admits that she is the equal of her conqueror. This is the first case of the Shavian trick of turning

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