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eyes shone from out her queer little face like the precious stones in a grotesque image carved in old ivory." Caterina, or Tina as she is called, taken back to Cheverel Manor, grew up under the care of the Baronet's wife, to whom she became endeared by her exceptional musical talent Sir Christopher had no children, but had chosen his nephew, Captain Wybrow, for his heir, and planned a marriage between him and Miss Assher, the handsome and accomplished owner of a pretty estate. Another marriage, on which he has equally set his heart, is that between his ward Maynard Gilfil, an open-eyed manly young fellow destined for the Church, and the mellow-voiced, large-eyed Tina, for whom he has long nursed an undeclared passion. But alas, for the futility of human plans! Tina, to whom the elegant Anthony Wybrow has been secretly professing love, suffers tortures of jealousy when he and Miss Assher, to whom he has dutifully become engaged, come on a visit to Cheverel Manor. The treacherous Captain, to lull the suspicions of his betrothed, insinuates that poor Miss Sarti entertains a hopeless passion for him, which puts the poor girl, who gets an inkling of this double-dealing, into a frenzy of indignation. In this state she possesses herself of a dagger, and as she is going to meet the Captain by appointment, dreams of plunging the weapon in the traitor's heart. But on reaching the appointed spot, she beholds the false lover stretched motionless on the ground already—having suddenly died of heart disease. Tina's anguish is indescribable: she gives the alarm to the household, but stung by remorse for a contemplated revenge of which her tender-hearted nature was utterly in-