too, were some of the ladies who had initiated and organised the Women's Suffrage movement. Likewise writing to Miss Phelps, she alludes to the Woman's Lectureship in Boston, and remarks concerning the new University: "An office that may make a new precedent in social advance, and which is at the very least an experiment that ought to be tried. America is the seed-ground and nursery of new ideals, where they can grow in a larger, freer air than ours."
In 1871, the year when 'Middlemarch' was appearing in parts, George Eliot spent part of the spring and summer months at Shottermill, a quaint Hampshire village situated amid a landscape that unites beauties of the most varied kind. Here we may imagine her and Mr. Lewes, after their day's work was done, either seeking the vast stretch of heath and common only bounded by the horizon, or strolling through the deep-sunk lanes, or finding a soothing repose in "places of nestling green for poets made." They had rented Brookbank, an old-fashioned cottage with tiled roof and lattice-paned windows, belonging to Mrs. Gilchrist, the widow of the distinguished biographer of William Blake.
The description of Mrs. Meyrick's house in 'Daniel Deronda' "where the narrow spaces of wall held a world-history in scenes and heads," may have been suggested by her present abode, rich in original drawings by Blake, and valuable prints, and George Eliot writes: "If I ever steal anything in my life, I think it will be the two little Sir Joshuas over the drawing-room mantelpiece." At this time she and Mr. Lewes also found intense interest in reading the 'Life of Blake.' Some correspondence, kindly placed at my disposal by Mrs. Gilchrist, passed between this lady
