the sturdy countryman, with striped stockings, red waistcoat, and hat aside, who represents the traditional English peasant. Observe a company of haymakers. When you see them at a distance tossing up the forkfuls of hay in the golden light, while the wagon creeps slowly with its increasing burden over the meadow, and the bright green space which tells of work done gets larger and larger, you pronounce the scene 'smiling,' and you think these companions in labour must be as bright and cheerful as the picture to which they give animation. Approach nearer and you will find haymaking time is a time for joking, especially if there are women among the labourers; but the coarse laugh that bursts out every now and then, and expresses the triumphant taunt, is as far as possible from your conception of idyllic merriment. That delicious effervescence of the mind which we call fun has no equivalent for the northern peasant, except tipsy revelry; the only realm of fancy and imagination for the English clown exists at the bottom of the third quart pot.
"The conventional countryman of the stage, who picks up pocket-books and never looks into them, and who is too simple even to know that honesty has its opposite, represents the still lingering mistake, that an unintelligible dialect is a guarantee for ingenuousness, and that slouching shoulders indicate an upright disposition. It is quite sure that a thresher is likely to be innocent of any adroit arithmetical cheating, but he is not the less likely to carry home his master's corn in his shoes and pocket; a reaper is not given to writing begging-letters, but he is quite capable of cajoling the dairy-maid into filling his small-beer bottle with ale. The selfish instincts are
