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preferences, or with a critical comparison between it and other religious systems. She does not introduce us to ideas, but to men and women of flesh and blood in whom these ideas work and act consciously and unconsciously; we are shown not a creed, but its professors—not a faith, but those who have been nurtured in it. None but a poetess cunning to transform convictions into motives, and thoughts into actions, would have ventured to animate her work with a sentiment so strange and even unintelligible to the majority of the cultivated as the longing of the Jews for the re-establishment of their kingdom. In contemplating a work of art, it is not a matter of primary inquiry whether an idea be true or false, whether a sentiment be authorised or not; we have only to consider whether or not the work has succeeded in adequately representing the power of that idea or the dominion of that