was that the piece which reads smoothly seldom acts well; whereas a play that 'gets over the footlights' usually reads poorly. You see, action cannot be read aloud; and it is the action that accompanies the words of a dramatic piece that makes those words tell.
"I am not sure that Mr. Sharp and his committee will consider your play the best written, from a literary standpoint; but I understand that they have invited Mr. Monterey, the manager of the Centerport Opera House, to read the plays, too. And you, Josephine, write for him; for they will depend upon his judgment in the choice of the acting qualities of the piece."
This was good advice, as Jess very well knew. And she could barely keep her mind sufficiently upon her school work to pass the eagle scrutiny of Miss Grace G. Carrington, so wrapped up was she in the play. Not even to Laura did she confide any facts regarding the piece. Some of the girls openly discussed what they had done, and what they hoped; but Jess kept still.
Thursday came and in her mother's morning mail was a letter with the card of the Centerport Courier in the corner.
"Now, what can that be?" drawled Mrs. Morse, when Jess eagerly brought it to her. "They buy no fugitive matter, and I haven't
