of his daughter should be a miserable serf, whom his owner could place for punishment on the wooden horse. I suppose he is under the ground now;—and Ida—alas! alas! it is not ended yet; miserable that I am! Kind Heaven, grant me that I may die.’”
“That was Anna Dorothea’s prayer in the wretched hut that was left standing for the sake of the stork. I took pity on the proudest of the sisters,” said the Wind. “Her courage was like that of a man; and in man’s clothes she served as a sailor on board ship. She was of few words, and of a dark countenance; but she did not know how to climb, so I blew her overboard before any one found out that she was a woman; and, in my opinion, that was well done,” said the Wind.
“On such another Easter morning as that on which Waldemar Daa imagined he had discovered the art of making gold, I heard the tones of a psalm under the stork’s nest, and within the crumbling walls. It was Anna Dorothea’s last song. There was no window in the hut, only a hole in the wall; and the sun rose like a globe of burnished gold, and looked through. With what splendour he filled that dismal dwelling! Her eyes were glazing, and her heart breaking; but so it would have been, even had the sun not shone that morning on Anna Dorothea. The stork’s nest had secured her a home till her death. I sung over her grave; I sung at her father’s grave. I know where it lies, and where her grave is too, but nobody else knows it.”
“New times now; all is changed. The old high-road is lost amid cultivated fields; the new one now winds along over covered graves; and soon the railway will come, with its train of carriages, and rush over graves where lie those whose very names are forgotten. All passed away, passed away!”
“This is the story of Waldemar Daa and his daughters. Tell it better, any of you, if you know how,” said the Wind; and he rushed away, and was gone.
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