found vent more than ever in literary expression. Old forms of expression were cultivated into decadence, and new forms were devised. The literature of pure romance began. There was, however, no such recognized channel, as yet, for the flow of pure fancy and invention in prose as was afforded later by professedly fictitious narrative—the romance and the novel. These were yet to be set apart as distinct forms of literary art. Fancy and invention therefore found play in the realm of what should have been historical narrative. And so it came to pass that before Alexander had been dead thirty years, a mass of legend and romance had grown up around the main authenticated facts of his career. This mass has been varied in its rhetorical treatment rather than sensibly increased by the romantic invention which has ever since been busy with that career, down through the middle ages, and into the times of our Old English literature.
This romantic version of Alexander's career, with its firm basis of authenticated facts and its luxuriant envelope of legend and fictitious anecdote, vague with all the vagueness of popular tradition, found its Herodotus in Cleitarchus of Colophon, a contemporary, but not a companion, of Alexander. He was the son of Deinon of Colophon, who was an imaginative historian of eastern realms, and a pupil of Stilpo of Megara, a rhetorician and philosopher celebrated above all for grace and cleverness of literary style. His history of Alexander, highly rhetorical, and full of the wildest flights of fancy, became the standard, as the history of Greece down to Alexander by Ephorus was standard. It forestalled the sober testimonies of the four sober companions of Alexander to whom Arrian, four centuries later, led the world back, for, at the time, it met the world's demands. We know Cleitarchus chiefly through late Roman compilers like Diodorus Siculus, Justin, and Quintus Curtius, but we understand perfectly why the author of the treatise "0n the Sublime" calls him empty and bombastic, and why even Plutarch dis-
