It may be said that we have translations of all the best and most popular of the classical authors, and that many of these are admirable in their execution. This is quite true. The Iliad, the Odyssey, the Æneid, Horace, and some of the Greek Dramatists, have lately found translators who, in point of taste and general accuracy, leave little to be desired. But the results of their work will be best enjoyed and valued by those whose acquaintance with the originals enables them to appreciate not only the positive beauty of the English version, but its relative merit as conveying the spirit and sense of the Greek or Latin author. Even the best translation (especially of the classical poets) may fail to have a continuous interest for the merely modern reader, unless he has some previous familiarity with the argument of the work, the personages introduced, and the characteristics of the age in which the scene and action lie.
The aim of the present series will be to explain, sufficiently for general readers, who these great writers were, and what they wrote; to give, wherever possible, some connected outline of the story which they tell, or the facts which they record, checked by the results of modern investigations; to present some of their most striking passages in approved English translations, and to
