professional man he must pay the price. Be the technical requirement of time what it may—five years, say, or six—if the original capacity of the individual is to be brought out, if his personality is to be developed before, and also hand in hand with, his adaptation as a special instrument, some farther enlargement of time and opportunity has to be given and paid for. Narrow circumstances may deny it to him, they deny us many excellent things; but in this case the average man will never fully find himself, he will be designed as a receptacle and a retailer, and on the lines not of a progressive but of a stationary practitioner. "We cannot know fully what is enough until we know what is more than enough."
Concert of Methods.
Happily, however, with some mutual adjustments, the creative and the instrumental methods may be combined, and the double price in time and money reduced. The function of a university is to be the maker of the man as a whole; it cannot properly be made responsible for his technical efficiency as a practising lawyer, a practising parson, a practising physician, as a soldier or an engineer in the field. Nevertheless, the principles of theology, law, medicine, military history, mechanism, and the like are properly taught in universities; and herein it is that university ideas and the hard-pressed student and his guardian may approach each other. For, to develop the individual faculties, and to create the man, almost any subjects can be used, if used thus as universals; not as particular equipments, not as furniture, but as disinterested means of unfolding the secret powers of the mind. Yet it is at this very crux that Professor Starling would desert us. If I read him aright, he would, while in the university, retrench these convenient studies from educational to instrumental purposes; thus neutralising the very principles on which an accommodation between liberal and technical ideals is practicable. For instance of anatomy, the university, on his suggestion, is no longer to teach anatomy as a means of culture—a disinterested anatomy to awaken and develop the general faculty of exact observation, and to imbue the mind with broad morphological and genetic principles; instead of this disinterested study, sections useful
