His soul is in the game from the moment the cards are on the table, and very frequently his knife is in it too before the game is ended. No Sunday has passed in New York since "the Bend" became a suburb of Naples without one or more of these murderous affrays coming to the notice of the police. As a rule that happens only when the man the game went against is either dead or so badly wounded as to require instant surgical help. As to the other, unless he be caught red-handed, the chances that the police will ever get him are slim indeed. The wounded man can seldom be persuaded to betray him. He wards off all inquiries with a wicked "I fix him myself," and there the matter rests until he either dies or recovers. If the latter, the community hears after a while of another Italian affray, a man stabbed in a quarrel, dead or dying, and the police know that "he" has been fixed, and the account squared.
With all his conspicuous faults, the swarthy Italian immigrant has his redeeming traits. He is as honest as he is hot-headed. There are no Italian burglars in the Rogues' Gallery; the ex-brigand toils peacefully with pickaxe and shovel on American ground. His boy occasionally shows, as a pick-pocket, the results, of his training with the toughs of the Sixth Ward slums. The only criminal business to which the father occasionally lends his hand, outside of murder, is a bunco game, of which his confiding countrymen, returning with their hoard to their native land, are the victims. The women are faithful wives and devoted mothers. Their vivid and picturesque costumes lend a tinge of color to the otherwise dull monotony of the slums they inhabit. The Italian is gay, light-hearted and, if his fur is not stroked the wrong way, inoffensive as a child. His worst offence is that he keeps
