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parts to a mingling with each other. But it is also possible for this spontaneous attraction to be excited and extended by art more than is fit. The cause itself, therefore, of this mixture extending from itself to the whole world, is good, and the source of plenitude; has the power of harmonically procuring communion, consent, and symmetry; and inserts, by union, the indissoluble principle of love, which principle retains and preserves both things that are in existence, and such as are becoming to be. But in the parts, through their separation from each other and from wholes, and because, from their own proper nature, they are imperfect, indigent, and imbecile, their mutual connection is accompanied with passion; by which, in most of them, desire and a connascent appetite are inherent. Art[1] there-
- ↑ This art is no other than magic, of which the following account, from a very rare Greek manuscript of Psellus, On Dæmons according to the Dogmas of the Greeks, will, I doubt not, be acceptable to the reader, as it illustrates what is here said by Iamblichus, and shows that magic is not an empty name, but possesses a real power, though at present this art seems to be totally lost. Ficinus published some extracts from this manuscript in Latin; but Gale does not appear to have had it in his possession. Η γοητεια δε εστι τεχνη τις περι τους ενυλους και χθονιους δαιμονας φαντασιοσκοπουσα τοις εποπταις τα τουτων ειδωλα. και τους μεν ωσπερ εξ αδου αναγουσα, τους δε υφοθεν καταγουσα, και τουτους κακωτικους. και ειδωλα αττα υφιστησι φαντασπατα τοις θεωροις των
