354
"In the next place, let us discuss the order and the use of the four manias, and show why the philosopher makes mention of these alone. Is it because there are no other than these, or because these were sufficient for his purpose? That there are, therefore, many other divine inspirations and manias Plato himself indicates as he proceeds, and prior to this, he makes mention of the inspiration from the Nymphs. But there are also inspirations from Pan, from the mother of the Gods, and from the Corybantes, which are elsewhere mentioned by Plato. Here, however, he alone delivers these four manias; in the first place, because these alone are sufficient to the soul, in the attainment of its proper apocatastasis, as we shall afterwards show; and in the next place, because he delivers the proximate steps of ascent to the soul. For the gifts of the Gods to all beings are many and incomprehensible. But now he delivers to us the energies of the Gods which are extended to souls. He delivers, however, these four manias, not as if one of them was not sufficient, and especially the amatory, to lead back the soul to its pristine felicity; but at present the series and regular gradation of them, and the orderly perfection of the soul, are unfolded. As, therefore, it is possible for the tyrannic life, when suddenly changed, to become aristocratic, through employing strenuous promptitude and a divine allotment, but the gradual ascent is from a tyrannic to a democratic, and from this to an oligarchic life, afterwards to a timocratic, and at last to an aristocratic life, but the descent and lapse are vice versa; thus also here, the soul being about to ascend, and be restored to its former felicity, is in the first place possessed with the musical mania, afterwards with the telestic, then with the prophetic, and, in the last place, with the amatory mania. These inspirations, however; conspire with, and are in want of, each other; so abundant is their communion. For the telestic requires the prophetic[1] mania; since the latter[2] interprets many things pertaining to the former. And again, the prophetic requires the telestic mania. For the telestic mania perfects and establishes oracular predictions. Farther still, the prophetic uses the poetic and musical mania. For prophets, as I may say, always speak in verse. And again, the musical uses the prophetic mania spontaneously, as Plato says. But what occasion is there to speak about the amatory and musical
