obvious consciousness of a hidden joke marred for one moment the monumental gravity of the parts which Olivier and the pages had to play.
As soon as Villon found himself alone he looked cautiously around him, comprehending in his astonished glance the grey walls of the palace, the moss-grown terrace, the petal-strewn steps, the old, stern tower with its ominous sun dial, and the wealth of wonderful roses all about him, making the air a very paradise of exquisite colours and exquisite odours. He shut his eyes for a few seconds and then opened them sharply as if expecting to find that the scene had vanished shadow-like into thin impalpable air, but castle and terrace, tower and roses remained as they had been, very plain to the poet's astonished senses. Tiptoeing cautiously across the grass, he reached a marble seat which stood beneath a bower of roses and seemed to be protected by a great terminal statue of the god Pan, which had been given as a present to Louis by an Eastern prince who had carried it from Athens. Pressing his hand to his forehead, Villon tried to recall the events of the evening before, which for some fantastic reason seemed to lie long centuries behind him. He could remember dimly an evil looking cell with straw upon the floor and chains upon the walls; he could
