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and green woollen hose, with a scarlet girdle and pouch about her waist, and a scarlet feather stuck defiantly in her green cap, beneath which her long fair hair tumbled in liberal confusion about her shoulders. She sat on the edge of a table swinging one shapely leg loose and strained upon its fellow while she nursed her lute as if it had been a baby, and carolled as if there were no other work in the world to do than to sing. The men and women who sat and sprawled around the table kept quiet, listening to her and staring at her; sleepy Colin pricked his ears; Robin Turgis was alert to hear, for he knew that it was worth while to listen when Huguette du Hamel chose to sing. Robin Turgis knew all about her. Her gentle blood was wild blood, and in spite of her birth and her name she had drifted on the stream of strange pleasure to be the idol of the Fircone's shrine. Her voice was sweet and the tune had a tender, appealing grace, with a little minor wail in it that brought tears into the singer's eyes, and she mouthed the words as if she found them sweet as honey. And this is what she sang:

"Daughters of pleasure, one and all,
Of form and feature delicate,
Of bodies slim, and bosoms small,
With feet and fingers white and straight,