Good Master Clement Marot, when he took it upon himself, generations after our poet was dust and ashes, to edit our poet's writings, said much in praise of the singer but said little, no doubt because he knew little, of the poet's life.
And the great creator of Pantagruel and Gargantua, the immeasurable Alcofribias Nasier, whom the world loves or hates as Rabelais, in what he contributed to our knowledge of François Villon has only—to use a weather-worn and moss-grown phrase—made confusion yet worse confounded.
We should be at a deadlock, indeed, if it were not for Poitou and its Abbey of Bonne Aventure, whose library is luckily rich in historical manuscripts of the period, and richest of all in that priceless manuscript of Dom Gregory, which, treating in general of the ecclesiastical history of Poitou in the fifteenth century, dealt so particularly and so liberally with the life of Master François Villon, because Master François Villon in his old age was so excellent a patron of the church. We say dealt advisedly, for time has treated somewhat scurvily the fair skins of parchment upon which the good Dom Gregory recorded his thoughts and his opinions at considerable length as the rich setting of the facts, too few in number, with which he condescended to enlighten
