resemblance between them and what are called the pyramids of America, ceases.
Next to the pyramids, the oldest remains of Egyptian architecture, such as the temple of Abousimboul in Nubia, like those of the Hindus, are excavations in the rock, from which it has been supposed that the Egyptians derived their style from that people. In later times they commenced erecting temples above ground, retaining the same features of gloomy grandeur, and remarkable for their vastness and the massiveness of the stone used in their construction. This does not seem to have been aimed at by the American builders. Among all these ruins we did not see a stone worthy of being laid on the walls of an Egyptian temple. The largest single blocks were the "idols," or "obelisks" as they have been called, of Copan and Quirigua; but in Egypt stones large as these are raised to a height of twenty or thirty feet and laid in the walls, while the obelisks which stand as ornaments at the doors, towering, a single stone, to the height of ninety feet, so overpower them by their grandeur, that, if imitations, they are the feeblest ever attempted by aspiring men.
Again, as to sculpture. The idea of resemblance in this particular has been so often and so confidently expressed, and the drawings in these pages have so often given the same impression, that I almost hesitate to declare the total want of similarity. What the differences are I will not attempt to point out; but, that the reader may have the whole subject before him at once, I have introduced a plate. No. 81, of Egyptian sculpture taken from the side of the great monument at Thebes, known as the Vocal Memnon, and I think, by comparison with the engravings before presented, it will be found that there is no resemblance whatever. If there be any at all striking, it is only that the figures are in profile, and this is equally true of all good sculpture in bas-relief.
There is, then, no resemblance in these remains to those of the Egyptians; and, failing here, we look elsewhere in vain. They are different from the works of any other known people, of a new order, and entirely and absolutely anomalous: they stand alone.
I invite to this subject the special attention of those familiar with the arts of other countries; for, unless I am wrong, we have a conclusion far more interesting and wonderful than that of connecting the builders of these cities with the Egyptians or any other people. It is the spectacle of a people skilled in architecture, sculpture, and drawing, and, beyond doubt, other more perishable arts, and possessing the cultivation and refinement attendant upon these, not derived from the Old World, but originating and growing up here, without models or
