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HENRY JAMES
111

gle for communication. All things that oppose this are evil, whether they be silly scoffing or obstructive tariffs.

And this communication is not a leveling, it is not an elimination of differences. It is a recognition of differences, of the right of differences to exist, of interest in finding things different. Kultur is an abomination; philology is an abomination, all repressive uniforming education is an evil.

A SHAKE DOWN

I have forgotten the moment of lunar imbecility in which I conceived the idea of a "Henry James" number.[1] The pile of typescript on my floor can but annoyingly and too palpably testify that the madness has raged for some weeks.

Henry James was aware of the spherical form of the planet, and susceptible to a given situation, and to the tone and tonality of persons as perhaps no other author in all literature. The victim and the votary of the "scene," he had no very great narrative sense, or at the least, he attained the narrative faculty but per aspera, through very great striving.

It is impossible to speak accurately of "his style," for he passed through several styles which differ greatly one another; but in his last, his most complicated and elaborate, he is capable of great concision; and if, in it, the single sentence is apt to turn and perform evolutions for almost pages at a time, he nevertheless manages to say on one page more than many a more "direct" author would convey only in the course of a chapter.

  1. Little Review, Aug., 1918.