INTEREST AS DIRECT AND INDIRECT
But because these are necessary means in the achieving of his activity, the meaning of the finished form is transferred over into these special acts. Each molding of the clay, each stroke of the chisel, is for him at the time the whole end in process of realization. Whatever interest or value attaches to the end attaches to each of these steps. He is as much absorbed in one as in the other. Any failure in this complete identification means an inartistic product, means that he is not really interested in his ideal. Upon the other hand, his interest is in the end regarded as an end of the particular processes which are its means. Interest attaches to it because of its place in the active process of what it is but the culmination. He may also regret the approach of the day that will put an end to such an interesting piece of work. At all events, it is not the mere external product that holds him.
We have spoken freely of means and ends because these terms are in common use. We must, however, analyze them somewhat to make sure they are not misunderstood. The terms "means"
