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COO-EE
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flesh-colour, moving under a film of gold like a glaze; then the sea gradually going yellow, going primrose, with the foam breaking blue as forget-me-nots or frost, in front. And on the near swing of the bluey primrose, sticking up through the marvellous liquid pale yellow glaze, the black fins of sharks. The triangular, black fins of sharks, like small, hard sails of hell-boats, amid the swimming luminousness. Then she would run out on the verandah. Sharks! Four or five sharks, skulking in the morning glow, and so near, she could almost have thrown bread to them. Sharks, slinking along quite near the coast, as if they were walking on the land. She saw one caught in the heave of a breaker, and lifted. And then she saw him start, saw the quick flurry of his tail as he flung himself back. The land to him was horror—as to her the sea, beyond that wall of ice-blue foam. She made Lovat come to look. He watched them slowly, holding the brush in his hand. He had made the fire, and was sweeping the hearth. Coffee was ready by the time Harriet was dressed: and he was crouching making toast. They had breakfast together on the front verandah, facing the sea, eastwards. And the sun slanted warm, though it was mid-winter, and the much-washed red-and-white tablecloth that had been in so many lands with them and that they used out-doors, looked almost too strongly coloured in the tender seeming atmosphere. The coffee had a lot of chickory in it, but the butter and milk were good, and the brownish honey, that also, like the landscape, tasted queer, as if touched with unkindled smoke. It seemed to Somers as if the people of Australia ought to be dusky. Think of Sicilian honey—like the sound of birds singing: and now this with a dusky undertone to it. But good too—so good!