ascended, in front of the palace, and followed by all of her women, the funeral pyre, which she lit with her own hand.
........
And yet again they saw themselves, in strange regions, and amid natural scenery of another type.
It was no longer the valley of the Gunga and Jumna, with its magnificent palace-filled cities where warriors in shining armour, proud Brahmans, rich citizens, and diligent Çudras lent animation to the streets. This theatre which, with its luxuriant tropical magnificence, had so often girt round their common life, as though there were no other world, now disappeared entirely, to make room for a drearier and harsher land.
Here the sun of summer burns, it is true, just as hot as by the Gunga, dries up the water-courses, and parches the grass. But in winter the frost robs the woods of their foliage and rime covers the fields. No towns rear their towers in this region; only widely scattered villages, with large folds, lie in the midst of its rich pastures, and the protecting elevation near by is turned into a small fortress by means of ramparts and rude walls. A warlike, pastoral people have here their home. The woods are full of wolves, and miles away the trembling wayfarer hears the roar of the lion—"of the beast that roameth, frightful, savage; whose lair is in the mountains"—as he describes him; for he is a song-maker.
After long wanderings, he approaches a village, an unknown but welcome guest; for that he is everywhere. Over his shoulder hangs his sole visible possession—a small lute; but in his head he carries the whole precious heritage of his fathers: ancient mystic hymns to Agni and Indra, to Varuna and Mitra, yea, even to unknown gods; songs of war and wassail for men; love-songs for the maidens;
