Page:Karl Gjellerup - The Pilgrim Kamanita - 1911.djvu/28

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THE PILGRIM KAMANITA

of shimmering silk, airy muslin veils, of pearls, sparkling jewels and gold bangles, what must be said of the game itself that gave to all these gracious limbs such varied opportunities of displaying their wealth of subtle beauty in the most charming of positions and movements? And yet that was, as it were, but a prologue. For when these gazelle-eyed worshippers had entertained us for a considerable time with games of the most varied description, they all stepped back, save one, who remained alone in the centre of the jewelled stage: in the centre of the stage, and—in the centre of my heart.

Ah! my friend, what shall I say? To talk of her beauty would be audacity! I should need to be a poet like Bharata himself to conjure up to your fancy even a faint reflection of it. Let it suffice that this maiden, with the gentle radiance of the moon in her face, was of faultless form and glowed in every limb with the freshness of youth; that I felt her to be the incarnate goddess of Fortune and Beauty; and that every smallest hair on my body quivered with delight as I beheld her.

Presently she began, in honour of the goddess whom she so fitly represented, a performance worthy of a great artist. Dropping the ball easily on the stage, as it slowly rose she gave it, with flower-like hand, thumb slightly bent, and tender fingers outstretched, a sharp downward blow, then struck it, as it rebounded, with the back of her hand and caught it again in mid-air as it fell. She tossed it in slow, in moderate, in quick time, now inciting it to rapid motion, anon gently quieting it. Then striking it alternately with the right hand and with the left, she drove it towards every point of the compass and caught it as it returned. If thou art really acquainted with the mysteries of ball-play—as it seemeth to me from the intelligence of