extravagant to mention: I look upon them as a magic scene, contrived to please the eyes and the ears, at the expense of the understanding; and I consider singing, rhyming, and chiming heroes, and princesses, and philosophers, as I do the hills, the trees, the birds, and the beasts, who amicably joined in one common country dance, to the irresistible tune of Orpheus's lyre. Whenever I go to an opera, I leave my sense and reason at the door with my half guinea, and deliver myself up to my eyes and my ears. [Jan. 23, 1752.]
Ridicule.—It is commonly said, and more particularly
by Lord Shaftesbury, that ridicule is the
best test of truth; for that it will not stick where it
is not just. I deny it.[1] A truth learned in a certain
light, and attacked in certain words by men of
wit and humor, may, and often doth, become ridic-*
- ↑ Chesterfield had at once perceived the emptiness of the saying, which is certainly not in ipsissimis verbis of Lord Shaftesbury. "We have," says Carlyle, in his "Essay on Voltaire," "oftener than once endeavored to attach some meaning to that aphorism, vulgarly imputed to Shaftesbury—which, however, we can find nowhere in his works,—that ridicule is the test of truth." In the "Characteristics of Enthusiasm," sec. 2, there is this sentence, which comes very near it:—"How is it, etc., that we (Christians) appear such cowards in reasoning, and are so afraid to stand the test of ridicule"; but further on (p. 11, ed. 1733, vol. i.) he asks: "For what ridicule can lie against reason? or how can any one of the least justice of thought admire a ridicule wrong placed? Nothing is more ridiculous than this itself." Shaftesbury often returns to this subject; see "Errors in Wit," etc.
